black and white
The Dying Art of Darkroom Printing
The comparison images above show photographer Dennis Stock’s iconic portrait of James Dean in Times Square. The test print on top shows all the work Inirio put into making the final photo look the way it does. The lines and circles you see reveal Inirio’s strategies for dodging and burning the image under the enlarger, with numbers scattered throughout the image to note different exposure times.
Sarah Coleman of The Literate Lens wonders whether the magic of seeing this process will carry over at all into our new digital age:
Over the last fifteen years, almost every photographer I’ve interviewed has waxed poetic about that “magical” experience of seeing an image develop in chemicals for the first time. You have to wonder whether today’s young photographers will rhapsodize as much about the first time they color-calibrated their monitors.
(via cravingdesires)
Source: archatlas
Diapsida: The Cladogram
Version 1.11 · 20 March 2016
Attention: This post will be updated should someone here correct a mistake I made. Please consider reblogging from the original post to get the latest update.
After one exhausting week and tons of feedback from paleonerds and graphic designers, the cladograms are finally here! These cladograms explain the relationships between notable genera within the group Diapsida which encompasses all modern reptiles including birds.
The PDF version is available by donation here, and merchandises such as posters and stickers will be made available as soon as the accuracy of data is fully confirmed. Bookmark the link to my store or stay in touch with me to find out more.
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(via scientificillustration)
Source: franzanth
We are handing the controls of important parts of our public and private lives to a very small number of people, who are unelected and unaccountable.
(via explore-blog)
Build your own dreams, or someone else will hire you to build theirs.
Source: naturaekos
»flood« by richard tipping (+)
Challenge: Create an image out of a word, using only the letters in the word itself.
Rule: use only the graphic elements of the letters without adding outside parts.This project started nearly twenty years ago as an assignment in my typography class at art school. Students were encouraged to see letters beyond their dull, practical functionality. The challenge is to visualize the meaning of a word, using only the graphic elements of the letters forming the word, without adding any outside parts. The challenge was very hard, but the reward of “cracking” a word felt great. So this became a lifelong project for me. In 2011, I published a book called “Word as Image” containing nearly 100 words. H/T Fubiz
(via crossconnectmag)
Source: crossconnectmag.com

